Twin Peaks: The Return (David Lynch, USA, 2017) Not only does it feel like an elegy for the entire genre, the fact that viewers are always keenly aware of the elderly age of the lead actors even when playing young-to-middle-aged men (more apparent to me through their physical movements than the much-talked about “de-aging” CGI, which I forgot about pretty quickly) adds an extra layer of poignance to this memory-piece par excellence – in much the same way that Liberty Valance achieves a Brechtian sublimity precisely because John Wayne and Jimmy Stewart are “too old” to play the younger versions of their characters.ġ. Paul Schrader recently asked on Facebook if The Irishman was “the Wild Bunch of gangster movies.” I think it would be truer to say that it’s the Man Who Shot Liberty Valance of gangster movies. The Irishman (Martin Scorsese, USA, 2019) ![]() But no narrative filmmaker, including Jia, could’ve staged something as disturbing as the epic scene, captured in a single take with panning camera, in which a husband angrily rebuffs his tenacious wife’s demands for money inside of the shop they co-own.ġ6. It’s tempting to call this incredible documentary a non-fiction analog to Jia Zhangke’s portraits of modern China in that it shows how the increasing privatization of China’s economy sews violence in the hearts and minds of ordinary Chinese citizens. “The Social Network uses dark, lush digital images (the kind that only Fincher seems able to capture), wall-to-wall dialogue, hyperkinetic editing and a discordant techno score to paint a portrait of America in the internet age that’s as frightening as it is beautiful.” Full White City Cinema review here.ġ7. The Social Network (David Fincher, USA, 2010) Eliciting the most chuckles was a scene where the cabman gives a curt response to a long-winded and pretentious monologue by a visiting neighbor, which mirrors Tarr’s own responses to those who attempt to analyze his work.” White City Cinema capsule here.Ģ1. “Tarr is sometimes unfairly labelled an austere ‘miserabilist’ (let us not forget that Satantango actually contains a fart joke) and there is a vein of mordant deadpan humor running through this movie that did not elude the packed house I saw it with. The Turin Horse (Bela Tarr/Agnes Hranitzky, Hungary, 2011) It’s fun to watch - and even more fun to think about afterwards.” Time Out Chicago capsule here.Ģ2. He asks viewers to question how minor variations in word choice and intonation of speech can lead to different outcomes. “By having the same chance meeting play out in two separate realities, Hong offers a whimsical, droll and ultimately profound metaphysical inquiry into the nature of communication. This is a record on the CVE List, which provides common identifiers for publicly known cybersecurity vulnerabilities.88-year-old Clint Eastwood, in what is likely his last outing as both director and star, created a work of infinite moral complexity with 2018’s The Mule – a film as deeply moving as it is goofy, told with a visual economy worthy of comparison to late John Ford.Ģ3. Necessarily indicate when this vulnerability wasĭiscovered, shared with the affected vendor, publicly The CVE ID was allocated or reserved, and does not The list is not intended to be complete.ĭisclaimer: The record creation date may reflect when Note: References are provided for the convenience of the reader to help distinguish between vulnerabilities. ![]() Untrusted search path vulnerability in Encrypted files in self-decryption format created by FileCapsule Deluxe Portable Ver.1.0.5.1 and earlier allows an attacker to gain privileges via a Trojan horse DLL in an unspecified directory.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |